Are There Prodigies in Pop Music

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Has technology altered what constitutes a prodigy? This is a really fascinating question. Child prodigies have historically arisen in two primary areas: mathematics and music. Math by lone prodigies is still primarily carried out by writing on papers and blackboards, and technology has not changed this a lot. Music nevertheless has undergone huge and sweeping change. A classical music prodigy who plays the cello or piano is still fairly easy to discern, but what about a prodigy who plays modern music which utilizes synthesizers and even computers? Do prodigies exist in these much more modern music forms? To answer this question, classical music authorities were interviewed, as well as professors at top music production schools.

As one may suspect, classic music authorities did not enthusiastically endorse the notion of pop music prodigies. One rather cheekily suggested that we develop a time machine so that Eminem and Mozart could collaborate. We responded by asking the expert-who is fairly famous-to pick one rapper who is a prodigy. He once responded rather cheekily, pronouncing the verdict that rap isn't music and that few rappers ought to be regarded as musicians.


Faculty at music productions schools had a much more favorable view of modern music, which was also unsurprising. These individuals said that synthesizers and computers were instruments just as a lot as a piano or cello. Classical music professors were disdainful of this notion. They argued that the violin, cello, piano and other instruments are less transient, and not mere fads as pc and synthesizer music might prove to be. Some expressed the view that in a few centuries pop music may have vanished, whilst violins and cellos will have endured.

One staunch critic from the notion of rap "music" had us try to envision some concert in 400 years at which Eminem is played. The wealthiest and most educated members from the societal elite will assemble, and also the greatest musicians from the age will play Eminem's guttural beats with violins, cellos, oboes, and flutes. One from the civilizations greatest singers will clear there throat and then sing, Two trailer park girls go round the outside, round the outside. . .

Members from the elite assembled in the audience would provide dainty claps. Bravo, Sir. Bravo indeed my great man. I do say, well carried out. Indubitably. Throughout the intermission, before they return to hear a 60 piece orchestra play "Fuck the Police," a song by that renowned band of prodigies "Nigger With Attitudes," the elite will surely consult academics also present. The prodigy Eminem is so brilliant that his lyrics defy comprehension. Whatever did he mean by two trailer park girls go round the outside? Historians who are honest will admit that extant historical records offer no answer, and also the meaning from the lyrics is yet an additional one of those unsolvable mysteries of ancient history.

The future civilization may ask themselves how depraved a culture should be to consider such lowbrow music entertainment. A historian in attendance expounds. All late stage empires decay morally as they decline and collapse. This happened to the Roman Empire before it faded into oblivion, and also the American Empire before it went the identical route. Romans gorged and vomited at huge orgies, Americans feasted on rapidly meals and stapled their stomachs and revered Eminems and Niggers with Attitudes.

That is the insight provided by authorities at universities and music productions schools. Consider it for what it is really worth. Inside the last evaluation, only time can offer conclusive solutions.

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