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"Airports 2012 chanel handbags traveling turn into a nightmare," Lagerfeld experienced explained backstage a number of minutes before. "L.A. is about the desire of non-public jets and lovely autos and glamour. Cruise collections are about the desire of liberty." To open up the demonstrate, he sent Raquel Zimmermann out in a navy jumpsuit with stripes at the cuffs. A cross amongst a captain's uniform and a very first-course passenger's vacation outfit, it experienced a variety of jet-established practicality'a blend of sportif and utilitarian that carried by way of to other seems to be, like a ribbed knit tunic gown, a sequin baseball jacket put on with skinny jeans and a matching cap, and a cargo skirt topped by the common Chanel tweed jacket in army green. "I love that he used a lot of color," explained Camilla Belle, "especially the salmon pink."

All-out glamour came go4chanel the form of black cutout dresses put on over pleated blush-colored silk shifts narrow satin tunics belted over longer skirts in a style reminiscent of Poiret piles of accessories (from colorful plastic headbands to quilted bags that glistened like ice to cap-toe clear plastic ankle boots) and a pair of his-and-her robes. "The sequin dressing gowns were genius," explained L.A. transplant Victoria Beckham, in vintage Chanel. "Fashion has come to Hollywood. He's paved the way for many more designers, I hope." Maybe so, but the peripatetic Lagerfeld explained he's already dreaming about Monte Carlo for his next resort demonstrate. He's done planes, trains, and buses, after all. Yachts may be next.

The audience go4chanel.com at Chanel's spring presentation was greeted by the sight of a gargantuan computer screen and keyboard, placed at the end of the runway. It seemed like the one unifying symbol of everything Karl Lagerfeld sent out in the collection: all the high-speed information about every trend of the season, communicated directly onto a computer screen in real time. Faster than even Style.com can report it.

Part of the point of this is that Lagerfeld's febrile capacity for instant-uptake fashion can fill a football pitch'and yet still all look like Chanel. In reality, fashion is now more about the availability of a gazillion simultaneous choices rather than the single, http://www.go4chanel.com go4chanel chanel handbags old-school designer diktat. With this collection, Lagerfeld broke the taboo on saying that out loud'while also proving that a strong brand, strongly directed, can surf any trend without losing its identity. Does that mean Chanel has resigned itself to adapting to the culture of fast-fashion disposability, though? Oh, not at all. The fifties circle skirt and poufy taffeta dresses at the end of the demonstrate were pretty time-transcenders that might live in any girl's wardrobe for decades to come. http://www.ezdok.ru/user/aonthebgjf/

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